Poems by Charles Phillips

SEASONS

I see you in every season,
Laughing on a summer pond
     overhung with willows
And ripple-kissed by little fish,
Quiet in cathedrals of autumn trees;
An arc of light when gray and brown
     are turning white.
And when insistent green
     breaks crusted cold,
I see you flower delicate
     and flower bold.

Florence Thurman's Gift to Me

We carry histories with us when we die.
Those who come to clear the furniture will ask,
"Why all this clutter?"
And holding a piece of blackened wood,
"Of what use is this?"
There is no provenance to say
How it burned in some fisherman's fire
On a sandy shoal in summer,
Or how I pulled it from the river rise,
Leaning precariously over the brown rush.
I gave it to a friend
Who said, "Bring me a piece of river drift.
When Theodore fishes, he forgets."
Smoothed by the river's scour,
The broad base narrows to a swept-back point,
As if modeled with intent, not by random artifice.
Offered with pride and taken with pleasure,
She found it fit to place on her polished table
Between the Bible and her photographs.
When she died, I took it back,
A gift enriched by memory
As when a summer evening's sun
Throws long shadows across a lawn
And gives glory to a trumpet vine
     clinging to a wall.

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Clear Cutting: With Thoughts of Gerard Manley Hopkins

Devastation is not the word,
And I cannot think of one,
For what has happened here,
But only grieve for what is gone.
No more cathedrel light
Through white oak leaves,
Or etchings on a winter sky
Attenuated again
        and yet again
                 to the finist fissure.
Spring will not unfold
Its canopy for summer song
       above a leaf meal floor
Where efts and crickets nestle,
Networks of nations,
Resevours of deep, fresh things,
     left to parch
Without God's green wings.

April's Promises Unkept

April's new green tongues
     syllable the wind
That hurries past the gray and then
     calls it back again.

No green sea is so cold
     as April's green
Under gray cloud and
     hail-shot rain.

Blooms are battered and walkers scattered
     to light their fires
Until the wind stops April lying
     and brings true news in May.

Winter Wind

The road runs through winter woods
Over ground that fragments,
Lofting and tumbling in the wind.
Trunks shot with light or crossed by shadow
Stud the hillside where four deer rise
To stand and stare,
The fluid grace of flight held tight
Until they spring -- a quick discharge
Beneath the long reflex of trees.

IN THE PERSIAN GULF
(USS THACH FFG-43)

The water-tight door rattles open, and I am smothered in the
     Wet-wool night, the tropics with grit in the air.

Vague and luminous, gas flairs mark the meeting of black sky
     And black sea.

Red lights in the pilothouse. Muffled words from the watch.
     The radar turns untiringly.

Fifty miles from Iraq, the stowaway crickets sing.

True Things

True things are often simple,
And homage to those who see them first
     and say them best,
For permutation, embedded concatenation,
     and random mutation complex puzzles,
While metaphor, and his millipede, analogy,
May map a new dance
     by following the lead.

GIRL WITH PUMPKINS

Beside the blue wheelbarrow
Filled with pumpkins,
You stand, arms akimbo,
Right leg crossing left,
Delicate arch of your foot
Hidden in vines.

Like sun and air,
You take this bounty as your due,
A tribute paid,
Just for being you.

The Iris

In the orchard, seven purple iris
     stand in convocation.
Do they chastise the libidinous birds,
Deny their passion for the bee,
Hold all hybrids heretic?
Do they contend the falling of the leaves
As we conjecture the fate of stars?
Do they whisper of mortality?
Or, indeed, is vegetable life blest
That it only knows to face the light,
So frailty and failure come
As the setting of the sun?

Slide Show

On the computer screen,
Pictures of a bleached and shabby land:
A bloody shark hanging in the market;
Stubbled men drinking tea,
Amused at the foreign photographer.
On my lap, Leonie adjusts herself,
And leaning back, nestles there.
Where is a thing so sweet in Araby?

PEAR PICKING

It's October on the farm
Where the pear tree grows
In the bean field.

The fruit hangs heavily form the highest branches.
On the ground, wasps feed on sweet fermentation.

In the afternoon, we come
With buckets, ladder, and pole
To knock the prizes down.

I climb the ladder
While you give directions and complain.

Sharply struck, the pears fall with a thud,
Hiding beneath the brown beans.

We play a blind man's game finding them:
"Right some more," I say. "Too far. Go back."

Afraid of wasps, you step gingerly,
Bending the plants with your pink tennis shoes.

The buckets nearly full, and your patience gone,
I climb down and carry the heavy harvest.

Proud of the work now done, you drag a bucket
Almost to the truck.

Later, when our pears are pealed, cut,
Sugared, cooked, and canned,
I will take them from the shelf,
To taste this sweet afternoon again,
In substance and in thought.

NATURAL GROWTH

She comes from play
With leaves tangled in her hair
And a scent like some wild thing,
More at home where wood's mold
Makes a pungent floor --
Fecund ground for jasmine
To twine its slender way to light.

Time

A morning's work was once an hour's
And a week's work once a day's.
As time compresses, the morning shower
     collides with the dinner hour,
While raking leaves stretches to
The blooming of the daffodils --
A strange relativity never calculated
     by Mr. Einstein.
But the cosmic clock holds true.
The same summer hour finds boys
     catching crayfish in the creek,
And an old man trying on the shade for fit.
His shuffling gate and bent shape tell us
The gold and silver hours are not time spent
But payment accrued for the ferryman.

ON THE RIVER

From the cold deck, I see the stars' brittle light.
Matter seems desperate to escape,
Racing to fill a void greater than despair;
A suicide of energy, rushing to claim what is nothing
While interstices gap greater,
Letting nothingness well through.

PLANTING

Together we planted the cypress tree.
You, on muddy knees, pushed dirt over roots,
Blond hair lay on your blue shirt.
I held the trunk and heeled the earth.
But you planted more than a tree that day.
In fallow time and fertile need, you took root,
Turning my season into May.

ORBITS

The year turns toward the new equinox
As we ride bicycles on country roads
Past pines made greener by the red and yellow leaves.


We pedal -- legs pumping, feet rotating, sprockets turning,
Chains revolving, wheels rolling;
Motion in concert.

Sometimes we ride in tandem,
Sometimes parallel,
Bodies and minds in sync.

Yet, it's not each other we revolve around;
The bond is the moment,
An unstable center that decays,
Propelling us randomly to the axes of other times
Where we may chance to pass in separate circuits,
Sometimes forming the fragile compound of a life.

AT TWELVE

Early morning
On the porch
Between Fruit Loops
And lessons,
You breathe
The honeysuckle air
And hear the pipes
Of a perfect spring
In Arcadia.

THE LOVER

I am naked before you,
Nailed up like a target,
Open to your thrusts and blows,
And if you deftly cut
With blades that I have forged,
Or strike with knotted cords
As I have taught,
Can I cry cruelty and bid you stop
And pierce your poor heart with guilt,
The most terrible weapon of my art?

SUSTENANCE

What is my winter's store?
Your picture on the Blue Ridge,
A brush with your fine hair,
Your voice on a tape I play again.
Our time was not a planting,
     but a gathering
That cannot keep me
     in this cold.

REFLECTIONS ON CHOMSKY

A damp chill had crept into the house,
Empty for a winter's week,
Claiming the room and taking the best chair
Before the iron-cold stove
Where I found a bluebird on the ashes.
A proposition is the product of a rule,
The grammars say, but I wondered
How abstract a grammar must be
To parse such a sentence.

LIGHT

You were the light that made gray things glow,
That danced across life's little acts
Making them shine
Like sun on windy water.
A walk, a drive, a meal, a game, an idleness
Were lighted to relief when your bright being joyed all.

WIND

In Kentucky, I could hear the wind
On the far ridge, and then silence
Before it leaped the hollow and tumbled against the cabin.

Between the warning and the shock,
Attention stood on tip toe, braced against hope
That the roof would not fly away like a tin top hat,
Leaving me to face deep space with stars too sparse
And far away to shed the coming rain.

A Prayer For Immortality

When I am dead and dissipate,
Let me linger on --
A light prisomed by a mist,
A locust-laden plume of night,
A throb that bruits a plated pond,
A down, a gnarl, a polish from a water run.
Let me be a stitch in God's outer self,
A blessing to the sentient,
And integral to all.

Kathryn at the Piano

Sitting by you at the piano,
I watch your face
So attentive to the notes
Dancing across the page.

It's not just attention,
But surprise
That you can bring the page alive
In sound --

Suprise and pleasure
To ride a phrase,
And bound from chord to chord,
Or clime the scale
And skitter down.

At this instant,
The world is changed --

Besides sun and trees,
Cats and cars,
There's music too.

You make the time
By what you do.

Change

Winter balances on the cusp
Until he trips over the sun
And shatters into Spring,
Hard shards melting
Green and yellow,
Pink and blue,
Pastel shades and vivid hue.

Accident

The ash tree flames in yellow symmentry
     against the green hill.
The flawless bowl of blue
     compresses the crystal cold.
My blood seeps through the knotted rag --
     an ounce of flesh gone
          Chain saw quick.
I straddle the gray tractor
     puttering down the leafy slope
          toward home.

River Music

A towboat plays measures metered in
     rough spring buffets,
     soft fog muffles,
     and fast brown rises,
          dissonant with drift.

April's crescendo is overture to summer's andante --
     smooth pools consonant with green and blue.

Fall's movement ends fortissimo
     in red and yellow treble.

Chilly gray is winter's timbre,
     high water its refrain.

But always diesels play a countermelody --
     ground bass
     against turbocharged harmonics --
          Appasionato.

Incidental music to the dance --
The tow head on the point,
An adagio slide through the bend,
Boat, water, rudder hand,
     Legato.

Theological Thoughts

God is not a kindly fraud behind a curtain,
But a Will run mad in permutation.
How else the wheel and interlock
That ratchets out the phagocyte,
Or scaled to eons propels the stars?

Old texts story God and reason probes,
But the crank and knock that crushes us
Is no more clear than Delphic words
Or augury from birds.

Labor's Reward

A Model of Christian Charity plows hard.
No short rows or loamy patches
     where bright figures bloom.

Compacted logic abrades attention
Like a disk run over stone.

But finely cut, this lumpy ground
Grows a lasting presence.

Long after labor, Old John may come,
And sitting by your evening fire,
     You may call him neighbor.

Dickerson's Poetry

Pieces of a puzzle incomplete.
Cryptic notes left by a path.
Shards of self from a broken whole.
Sense compressed to crystals.
Facets of sight like the eye of a fly
     focused on surprise.

Dawn Image

The dawn opens like a wound in the side of night,
     and the day bleeds out.